Novella Review by Peter A. Scotchmer, featuring themes like literary fiction, loneliness, poetic novels, Canadian literature, escapist characters, modern novellas

A novella by the Quebecois writer Denis Theriault called Le Facteur Emotif in French was recently translated into English as The Peculiar Life of a Lonely Postman, and published in a handsome paperback edition in England, where it was hailed as “quirky and charming” by The Guardian, and chosen as noteworthy by BBC Radio 2’s Book Club. It is the second book written by its author, a screenwriter born on the north shore of the Gulf of St. Lawrence near Sept-Iles. He now lives in Montreal, the setting for this novella.

https://www.amazon.ca/-/fr/Facteur-%C3%A9motif-Denis-Theriault/dp/2253066184

The Peculiar Life of a Lonely Postman is a deceptively simple story of a solitary misfit, an eccentric romantic called Bilodo who practises calligraphy and is disenchanted with the banality and limited horizons of his postal delivery route and the sneers of his post office colleagues. He seeks an escape from his dissatisfaction by surreptitiously steaming open and reading the personal letters of those whose mail he is supposed to deliver, not read, living vicariously through his entrance into their private correspondence before belatedly delivering the letters to their addressees. He becomes fascinated by the letters sent by a beautiful young teacher living in the tropical paradise of Guadeloupe, to a certain Gaston Grandpre of Montreal, a correspondence consisting largely of haiku poetry, which the postman himself attempts to imitate. From this intrusion by Bilodo into their lives develops a series of catastrophic consequences. The story is short but convincing and profound in its implications, as it grapples, from its outset to its ingeniously apt ending, with its implied contrasts between reality and fantasy, between what is real and what is merely imagined, between the ephemeral and the eternal, the mundane and the poetic, the public and the private. The outcome is haunting.

In the figure of Bilodo the postman, M. Theriault provides echoes of the lives of other dreamers in literature, among them the unhappy young man in Willa Cather’s story “Paul’s Case,” Emma Bovary in Gustave Flaubert’s Madame Bovary, Jay Gatsby in Scott Fitzgerald’s The Great Gatsby, and Oscar Wilde’s Dorian Gray in the author’s famous The Picture of Dorian Gray. In fact, at a crucial point in the latter narrative, Dorian’s portrait fulfills an identical function to that of Bilodo’s mirror in Postman. Perhaps, even, by extension, Shakespeare’s “star-crossed” lovers of Romeo and Juliet can be said to pay the price of trusting in the perilous path of escapism, for Alice cannot live in Wonderland, nor can children remain in Narnia. Theriault’s gem of a novella belongs in the company of these literary forbears, and is richly deserving of readerly reflection.

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Contributed by

Peter A. Scotchmer, Ottawa, April 17-18, 2025