by Aashisha Chakraborty | Essays
Trying to uncover how Maugham wove himself into his fiction, be it through The Razor’s Edge, Of Human Bondage or The Moon and Sixpence “The writer is more concerned to know than to judge.” — W. Somerset Maugham The primary reason I admire Somerset Maugham is because I...
by Aashisha Chakraborty | Essays
So many years have passed since I read The Razor’s Edge by Somerset Maugham and yet his words seem more relevant today than ever. “He had a feeling that he was on the threshold of a discovery which he must make for himself.” – W. Somerset Maugham, The Razor’s...
by Jonathan Bennett | Essays
Jonathan Bennett makes an unplanned trip beyond the Arctic Circle to Iqaluit, a city on the margins—equal parts capital, construction site, and reluctant frontier outpost. There are few places left in the world that still feel like frontiers—real ones, not the type...
by Nigel Scotchmer | Essays
Nigel Scotchmer describes how two towns in Hesse, Germany, do not hide their times of trouble. They can be seen both as symbols of the horrifying depths of evil to which humankind can sink, and, at the same time, the resilience of the majority of people to try to be...
by Aashisha Chakraborty | Essays
A response to Jonathan Bennett’s back (book?) pain Jonathan, I’m glad you’re moving house, truly. Because I know what it means to move house. And city. And country. Trust me, it’s not a logistical decision, it’s an existential calling. While you’ve built what you call...
by Peter Scotchmer | Essays
Novella Review by Peter A. Scotchmer, featuring themes like literary fiction, loneliness, poetic novels, Canadian literature, escapist characters, modern novellas A novella by the Quebecois writer Denis Theriault called Le Facteur Emotif in French was recently...
